FIRST EDITION, FIRST ISSUE, with the vignette of a castle, Neptune and Britannia on the title uncoloured and the plates with pre-publication J. Whatman watermark. This work is one of the finest published records of the naval achievements of Britain spanning the Napoleonic Wars to 1817. It includes two plates on the Battle of the Nile, two plates on the Battle of Copenhagen, three plates on the Battle of Trafalgar and two relating to the War of 1812 with America. “As a record of naval events spanning a period of over twenty years Jenkins’ Naval Achievements has no precedent. At no time prior to 1817 had a publisher attempted such a complete volume of documentary naval prints. It is the quality of the accuracy which makes Jenkins so valuable above all, and it is the pictures rather than the text to which the value can be attributed.” (Roger Quarm, the National Maritime Museum, introduction to the 1998 facsimile edition).The work was intended as a companion volume by the publisher James Jenkins to the ‘Martial Achievements’ 1814-15. It did not however sell as well and examples today of the early issues are rare. These are identified by the uncoloured title frontispiece and the presence of J. Whatman watermarks dated between 1812 and 1816 to the plates and text. Tooley notes that the two portraits of Lord Nelson and Lord St. Vincent bound after the title were additional plates but that ‘the work is complete without them.’ The superb aquatint engravings are the work of Thomas Sutherland amongst others after paintings by the maritime artist Thomas Whitcombe (1760-1824). The final uncoloured plate bears two uncoloured etched plans of the Bombardment of Algiers and of the Battle of Trafalgar. They reproduce coloured aquatints in the book and along with the text on the verso help to identify the vessels involved. The list of subscribers bound at the end includes the names of 136 subscribers including the Duke of Wellington, the Earl St. Vincent whose portrait is bound at the beginning and interestingly the noted printmakers Boydell. Notably absent is that of Lord Nelson.A good example of an uncommon work with the extra two portraits not always present. Provenance: with the coloured bookplate bearing a portrait of Henry Alken of the Joel Spitz Collection; Christie’s London, 28 May 2015 (Spitz Collection) lot 80. Abbey Life 337; NMM, V, 2159; Tooley 282.