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Mr. Philip D. Burden
P.O. Box 863,
Chalfont St. Giles, Bucks HP6 9HD,
UNITED KINGDOM
Tel: +44 (0) 1494 76 33 13
Email: [email protected]
A fine map of ancient ‘geographical’ knowledge of France by Abraham Ortelius. As van den Broecke stated, ‘In contrast to [the two other ancient maps by of France by Ortelius], this map is based on ancient geographical rather than on ancient military sources, and is much more detailed’. It extends eastward to include the river Rhine and Genoa in Italy. It accompanied an atlas of ancient geography, or ‘Parergon’, which was a personal project of Ortelius. All the maps contained were made by Ortelius himself and not derived from any other work. Koeman stated that these maps ‘have to be evaluated as the most outstanding engravings depicting the wide-spread interest in classical geography in the 16th century’.
Abraham Ortelius (1527-98) developed an interest in cartography, geography, and history at an early age. He began as a ‘kaarten afzetter’ (or illuminator of maps) and would purchase single maps from booksellers and colour them for re-sale, mounted on linen suitable for wall-hanging. At twenty he was entered in the Guild of St Luke at Antwerp. Ortelius travelled extensively in Europe, and maintained regular correspondence with mapmakers, historians and scientists, acquiring information, which was to form his greatest opus, the ‘Theatrum Orbis Terrarum’. What made the atlas stand out as the first modern atlas was its uniformity. They were produced in a similar style and none of the ancient Ptolemaic maps were included. The atlas was accompanied a catalogue of the authors whose source Ortelius had drawn upon in compiling the work. Without this list many cartographers of the day would remain unknown to us today.
From its first appearance in 1570, the ‘Theatrum’ was far more comprehensive in scope than any contemporary work. In all, over forty different editions were published, with text in Latin, Dutch, German, French, Spanish, English or Italian, with the maps being frequently revised or replaced. By 1612, when the final edition was published, the atlas contained no less than 128 maps. Van den Broecke (1996) 196; Koeman (1967-70) III Ort 46 no. 15; Tooley’s Dictionary (1999-2004).
Abraham Ortelius (1527-98) developed an interest in cartography, geography, and history at an early age. He began as a ‘kaarten afzetter’ (or illuminator of maps) and would purchase single maps from booksellers and colour them for re-sale, mounted on linen suitable for wall-hanging. At twenty he was entered in the Guild of St Luke at Antwerp. Ortelius travelled extensively in Europe, and maintained regular correspondence with mapmakers, historians and scientists, acquiring information, which was to form his greatest opus, the ‘Theatrum Orbis Terrarum’. What made the atlas stand out as the first modern atlas was its uniformity. They were produced in a similar style and none of the ancient Ptolemaic maps were included. The atlas was accompanied a catalogue of the authors whose source Ortelius had drawn upon in compiling the work. Without this list many cartographers of the day would remain unknown to us today.
From its first appearance in 1570, the ‘Theatrum’ was far more comprehensive in scope than any contemporary work. In all, over forty different editions were published, with text in Latin, Dutch, German, French, Spanish, English or Italian, with the maps being frequently revised or replaced. By 1612, when the final edition was published, the atlas contained no less than 128 maps. Van den Broecke (1996) 196; Koeman (1967-70) III Ort 46 no. 15; Tooley’s Dictionary (1999-2004).